Why Do Artists Make Self-Portraits (and what we learn from them)

Self-portraits aren’t new in the art world, actually it is thanks to the self-portrait ‘culture’ that the selfie exists. In a way, self-portraits are actually the oldest version of the selfie.But, why do artists make self-portraits? What is actually self-portrait? What can we learn from artists?

A self-portrait is a representation of an artist created by that artist. Thought history self-portraits have been made in every medium imaginable – photographs, paintings, drawings, sculptures etc. Therefore, while with painting the artist is free to represent anything his or her mind can imagine, with photography artists need to be more ‘realistic’.

Once a self-portrait is more complex than it looks, we’re going to explain it deeper. From history to what we can learn from artists about self-portraits, we will cover the best topics of this area.

What’s the difference between an portrait and a self-portrait?

Portrait

Portraiture is a very old art form born on ancient Egypt, where it flourished from about 5,000 years ago. During that times, before the invention of photography, the only way to record the appearance of someone was through painting, sculpture or drawing. Portrait was created in order to represent a person/ someone, in which the face and its expression is predominant.

Self-Portrait

Artists’ self-portraits are an interesting sub-group of portraits. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance ( mid-15th century ) that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. A self-portrait is basically a representation of an artist about himself that does not necessarily needs to be representational. The artist his free to draw himself in any style, in order to represent his psychological/emotional features, in the piece.

Rembrandt self-portraits are particularly famous.

Rembrandt van Rijn
Self-Portrait, 1636.
Rembrandt van Rijn
Self-Portrait, 1636. Oil on panel (1606-1669) Norton Simon Museum Picture by: rocor

In conclusion, while a portrait refers to any painting that represents a human figure, a self-portrait refers to a painting that represents the artist that produced it, with his own ‘style’.

The 3 main ways to tell the difference between a self-portrait and a portrait

Title Artists will often identify their self-portraits as such
Action A self-portrait will often depict the artist at work in the process of painting his or her own image
Context The artist’s subject matter may cue the viewer to the identity and character of his or her self-image.   

Self-Portrait vs Selfie

Selfies and painted self-portraits share many similarities. Both selfies and self-portraits are forms of self-representation using different technology. While smartphones and cameras are types of technology, mirrors and painting are other types. Nowadays, everybody takes selfies, maybe we don’t think about but they represent our personal sense or self in that moment.

So what is the difference?

While Self-portraits are created to be read as art, selfies are born of photography practices. It is dangerous to read selfies in the same way as art, to ignore the context of their social interaction and the intent of the selfie-taker. In a contemporary perspective the selfie can be considered the evolution of the self portrait. Therefore, majority of people in the indrustry doesn’t have a consensus about it.

Why do artists make self-portraits?

Throughout history, self-portraiture has remained a tried and true practice between artists. Historically, in fact, artists used self-portraits as a kind of calling card, attesting to their ability to capture a likeness and giving a sense of their capabilities. And, yes, self-portraits are convenient exercises because the model is always available and works for free. But a self-portrait can evoke and reveal much more when taken beyond the bounds of straightforward exercise.

Practice

Self portraits help artists practice. The more an artist can practice the best.  The human form is a pretty complex subject to tackle, so the more practice, the better.

A Convenient Model

It’s common for artists to draw from life, which means using models. Hired models can be pricy, and that expense can add up, so drawing from life by looking in a mirror is a lot cheaper. Also, making self portraits is really convenient – you can always pose for yourself whenever you want to, while hiring models or having someone pose for you means you’ll have to figure out scheduling.

To explore themes and ideas in their artwork

Self portraits can also be used for a series exploring various compositions with underlying meaning, such as the exploration of the artist’s self.

Record the artist’s self

Self portraits can also be used to record the way the artist looked at the time the portrait was made.

To Demand Their Place in Art History

Why Do Artists Make Self-Portraits
Adelaide Labille – Guiard Self-Portrait with two pupils, 1785 Pic by: Rodney

Probably you don’t know, but during renaissance era, being an artist wasn’t an option for a woman. This catchphrase demonstrates the popularity of self-portrait but, at the time reveals the inherent gender inequality. At the time, women couldn’t take life-drawing classes. As an way to suprass this problem woman started practicing on her friends or even themselves

What can we learn from them ?

As we can observe before, artists have experimented with painting themselves long long time ago. Therefore, it’s funny to see that even being in the smartphone era, with over 93 million selfies taken daily, self-portraits remain an important part of many artist’s creative process. Why never fell out of fashion, and what can we learn from this process?

Self-portraits can motivate testing and learning

Anyhow, self-portraiture provides a safe place to play and experiment with new techniques. When you’re alone, you have all the time in the world and can work without deadlines and without being judged. Early sketches and test shoots can be make privatly allowing artists to experimenting privatly and learning from that process.

Self-portraiture can unlock the imagination or provide an escape

Artists aren’t normal people (in the good sense), and obviously they have a better imagination that any other person that you will ever meet. Some artists like to represent themselves in different styles, color ranges, moods, as a way to scape ‘reality’ in order to expand their imagination and creativity.

Self-portraits can foster self-acceptance

It’s well know that when some people hear their voice recorded they feel like isn’t their real voice. That is because your sense of self is different from the others sense of self toward us. While self portraying ourselves can be scaring, can also help us to acept our imagine and to see our best features that probably we never realised before.

Self-portraits can remind us of our origins

If you, for example, are a foreigner in other country and have different features, drawing yourself over and over again will make you remind about your roots each time you draw. This way, you will be more connected with your roots and even use it as a strength among others.

Self-portraits can help us to connect with others

The way that artists portrait themselves can inspire others. Once artists use their imagination and ideas in order to create anything the connection process is always present. This way artists that take risks or are somehow more creatives can inspire and connect others.

Conclusion

As human beings we like to be remember, otherwise self-portraits wouldn’t be a thing since the Egyptians. Therefore, even with the human evolution self-portraits never went off fashion, and that means something. As an art advisor I’m always fascinated from the way that artists think. They always have different perspectives about the world, otherwise they wouldn’t be artists.

In conclusion we can learn that self-portraits are much more than self portraits for artists. Self portraits are like a seed that develops over time, in this case in a skill. A skill that can motivate, can foster self-esteem, can reminds us of our origins or even help us to connect with others.

Sources :

Artists Explain Why They Paint Self-Portraits

Why Female Artists Have Used the Self-Portrait to Demand Their Place in Art History

Universal Principles of Depicting Oneself across the Centuries: From Renaissance Self-Portraits to Selfie-Photographs

If you liked this article and want to know more check our previous article about prints : https://marianacustodio.com/ever-wonder-why-artists-make-prints-this-is-why/

Street art vs. vandalism and how to tell the difference

As an art lover, you can be a graffiti lover. Therefore, sometimes you might wonder how to tell the different between street art and vandalism. Street art has become a sensation worldwide. Major cities as London even sponsor street artists and allow them to show their artform in some specific places as you can observe in Brick Lane.

So how to tell the difference between Street art and vandalism? Graffiti art was born from the act of marking or defacing premises or other property without permission. So basically, graffiti essence was born from a crime. Therefore, with so many famous street artists and amazing artworks of this form out there, it got more complicated to understand.

Drawing the line between street art and vandalism

Some people consider this kind of art as controversial and offensive, although on the other hand others find it appealing and attractive.

Street Art’s controversial history has often centred on this touchstone debate. Long associated with crime and gangs, graffiti tipped into the realm of art during the 1970s and 1980s. Artists including Jean-Michel Basquiat, Keith Haring, among others revolutionised guerrilla tagging of the urban environment with their distinctive visions.

The term ‘street artist’ also evolved and come to be applied to this work. Once graffiti because it is often far more detailed and artistic than your average graffiti scribble. Where on might associate graffiti with a spray-painted tag or moniker, street art is often far more in-depth. Most use their work to make social or political commentary, often drawing figures or murals with anti-establishment messaging.

But how can we draw the line here?

Whether graffiti is art or crime has an implication in protecting the integrity of a street artist’s work. If considered art, these creative works would likely be shielded under the Visual Arts Right Act (VARA).VARA protects the work of visual artists from intentional distortion, mutilation or other modification. Under VARA, works of art that meet certain requirements afford their authors additional rights in the works. Regardless any subsequent physical ownership of the work itself, or regardless of who holds the copyright to the work. For instance, a painter may insist on proper attribution of his painting. In some instances may sue the owner of the painting for destroying it even if the owner lawfully owned it.
VARA exclusively grants authors of works that fall under the protection of the Act the following rights:

  • Legal right to claim authorship;
  • Right to prevent use of one’s name on any work that has been distorted, mutilated, or modified;
  • Right to prevent any destruction of a work of recognized stature, and any intentional or grossly negligent destruction of that work is a violation of that right;

Many artists claimed that their VARA rights were violated when their street art has been painted over or otherwise covered up. Despite such broad definitions, VARA has a narrow reach. Courts have been somewhat divided on whether VARA can be claimed by street artists in order to recover their covered-up work. Many street artists who have attempted to claim that their VARA rights were violated have been met with resistance from courts. Majority of courts have clung to the requirement that the work be of ‘recognized stature’ in order to prevent destruction.

Is Street Art Legal?

Whether or not street art is ‘legal’ remains an issue when legitimizing street art. Some are taking steps to address that issue. Los Angeles recently passed a new murals ordinance making street art legal. Therefore is only legal if you pay for a permit, get permission from the location, and publicly post your intentions. Shepard Fairey, best known for his Obama Hope poster and his Obey campaign, has teamed up with renowned graffiti artist, Risk to create a major piece in Skid Row.

Other artists, however, continue to thrive on the illegality of their work.  Banksy is one such example. Often pursued by law enforcement.

Practical examples:

Once we are speaking about art, it’s easy to use visual examples in order to explain the possible difference between street art and vandalism .

Banksy – Girl with Balloon

Girl with balloon – Banksy Picture by Dominic Robinson

Banksy is one of the world’s most renowned artists. Born in Bristol, UK, in 1974, he has become a household name by creating beautiful and truly thought-provoking art – which is seems to appear in public overnight. Although he began creating art freehand, he began using stencils in the late ‘90s and his work became widely recognised in the South West of England. In 2005, after many years of local media attention, Banksy’s work on the West Bank barrier, between Israel and Palestine, received significant media coverage by the world’s press. 

The heart-shaped balloon represents love, hope, innocence, childhood and self-confidence. It’s thought that the piece symbolises losing something which is within your grasp. Etched into the wall to the right of the little girl, are the words THERE IS ALWAYS HOPE. 

A rare unique painting of Girl With Balloon was the final item in an auction at Sotheby’s in London in 2018 and its sale price equalled the artist’s previous auction record of £1.04m.

In this case we are speaking about street art, but again, legally if Banksy didn’t have any authorization the term vandalism can also be applied.

“A Linha de Mar” (The Line of the Sea) – Pedro Cabrita Reis”

IMAGE

Cabrita Reis, one of the great names of contemporary art in Portugal saw his work vandalized. Here, no aesthetically value is present and not even a powerful meaning behind could justify this pure work of vandalism. In fact, in the aggressive graffiti that have led to a police report, we read: “A shame,” “With our taxes,” “300,000 euros,” in clear reference to the controversy raised by the cost.

Have in mind that graffiti vandalism is a crime and significantly affects individuals and the community. The removal of graffiti vandalism is very costly in the end. Millions of tax payer euros/dollars (public money)etc are being spent annually on cleaning up graffiti and repairing the damage that it causes. Sending this public money on cleaning graffiti

Conclusion

The definition of what is considered as art can be argued to no end. Therefore, the government cannot define what that is yet. Street art requires social acceptance through legitimacy to be accepted as “art”. These street artists do not aspire to change the definition of their artwork but rather question the existing environment around them in their own language. Through their works, they aim to communicate with everyday people about socially relevant issues without any intention to offend or to create a conflict but rather make a connection with the general public through their artwork.

People can argue for or against street art over and over again without coming up with a worldwide acceptable decision. There will always be disagreements. That is what makes street art interesting.

Check my article about the real case of vandalism in Portugal : https://marianacustodio.com/o-que-tem-em-comum-a-banana-de-maurizio-cattelan-com-a-linha-do-mar-de-pedro-cabrita/

Are Art Universities Actually Worth It?

If you want to be an artist, you’ll spend a lot of your time developing your artistic skills and building up popularity in order to get noticed. One of the best ways to learn is by going into art university. But, one of the major downsides with having an art degree is that you have to pay, A LOT!So, are art universities worth it?

Art universities might cost you upwards of $25,000 in the United States for a single year just in fees. However, they can definitely be worth it if you’re focused in building up a name for yourself. Yet, you need to be making an effort to make it worth it. Work on networking, choose the right university, and network again.

There are some situations where art universities are definitely worth it for new artists! So, we’re going to be reviewing what art universities are, how much they cost, and how to make them worth it for you.

What Are Art Universities?

An art university is an educational institution with a primary focus on the visual arts. Mainly illustration, painting, photography, sculpture and design. Art universities can offer undergraduate and graduate programs. The goal of an art university is to develop artistic skills in its students in order to make them have a personal artistic style.

The Cost of Attending an Art University

What you’ll be spending on an art university will depend on the university and country where you apply. But, there’s no way to avoid costs altogether. Here’s a brief look at some of the fees associated with art universities in United States, United Kingdom and France.

United States

  • Application fee: This fee is usually somewhere around $300 to $1000.
  • University fee: This fee really depends if you go for a public or private university, its location and if you are a resident or a non-resident. If you are a resident fees can be as ‘low’ as $12.000 per year. Therefore if you are a non resident fees can be over $33.000. Private universities can cost you over $50.000 yearly.

https://www.collegetuitioncompare.com/edu/108232/academy-of-art-university/tuition/

  • Supplies Costs: Supplies arent’s cheap in this field. Be aware that you will need to spend around $2.000 to $3.000 yearly at least, and probably more in the last year.
  • Living costs ( Accommodation +household bills +food + travel)
  • Living Costs will depend where your university is located, having NY as example, living costs can be over 15.000$ a year easily.

United Kingdom

  • Application fee. This fee is usually somewhere around £100.
  • University fee. Having University of Arts London that includes the prestigious Central Saint Martins as example, for undergraduate degree courses the fees have been set at £9,250 per year for full-time and £22,920 for International students.

https://www.arts.ac.uk/subjects/fine-art/undergraduate/ba-hons-fine-art-csm

  • Supplies Costs Be aware that you will need to spend over 2.000 to 3.000 pounds yearly.
  • Living costs ( Accommodation +household bills +food + travel) Living Costs will depend where your university is located, having London as example, living costs can be over 15.000$ a year easily.

You can get more info here: https://www.arts.ac.uk/study-at-ual/fees-and-funding/additional-and-living-costs

France

  • Application fee. This fee is usually somewhere around 100 euros.
  • University fee. The tuition fees at public universities are set by the French government and are the same across the country. If you are a citizen or already a permanent resident of a country within the EEA, you will be charged very low amounts for your tuition: 170 euros per year for Bachelor’s (Licence) programmes. However, all other international students will be charged 2,770 euros per year for Bachelor’s (Licence) programmes. Note that the values above refer only to public universities; the cost of tuition at private universities can be higher. They generally range from 3,000 to 20,000 euros per year.

More info: https://www.study.eu/article/tuition-fees-in-france

  • Supplies Costs Same as before, 2-3 thousand euros a year.
  • Living costs ( Accommodation +household bills +food + travel) Student life in France doesn’t have to be expensive. Even in cities like Bordeaux, Lyon or Toulouse you can get by with 850 to 1,000 euros per month, including accommodation. That is still moderate for European levels. In some smaller towns you might spend even less. But the exception is Paris, the capital: expect to spend 1,250 to 1,400 euros per month at the very least – and consider yourself extremely lucky if you can score a place in a students’ hall of residence

Making Art Universities Worth It

If art universities weren’t at all worth it for artists, they wouldn’t still be around today. Yet, not every art university will be good for you and your artistic style. There are a lot of things to think about before deciding on a specific art university. Let’s go over how you can make sure that an them worth the money you’ll be shelling out!

The Fees

The fees are unavoidable when it comes to art universities. Therefore, there are some ways that you can cut some costs. For example, you can choose to live in the campus or student residencies that have partnerships with universities. You can also apply for scholarships and even get a job while studying.

One of the best ways to guarantee that you’re pulling in some income at the end of the day is by doing a few calculations. Take into account how much you’re spending on fees (in total) and how many pieces of your work you’d have to sell after your degree in order to have all that money back. You can also work part-time while studying in order to make your life easier.

So, make sure you are willing to make it work. Even though you want to make huge sales right after finishing your degree, it might be a better idea to focus on build really nice relationships with art dealers and galleries. This can help you to start developing a name for yourself, making some sales, and save you some struggle in the business.

The Possible Name Recognition & Networking Opportunities

Art universities are a great way to start making a name to yourself, but have in mind that you should start networking as soon as you get in and not after. At the same time, art universities usually make a big exhibition showcasing last year students artwork. That means you might be able to connect with a gallery owner, dealer or a curator that’s impressed by your artwork. This can lead to tons of future opportunities and greater sales.

It might also be a good idea to focus on network for a little while. Focus on networking in a certain area in hopes that the same people will see your work repeatedly. Once people see you at plenty of local art shows, they’ll be much more interested and value you as a professional in your industry.

Even if you’re not making a lot of income in the beginning, that doesn’t mean you’re leaving empty-handed. Networking is a great way to build relationships with others in the art community. You can learn about other styles of art and how popular artists have built a customer base.

Conclusion

Strategically going to an art university can be a debt nightmare but can also cause your art career to skyrocket. Though you’ll be spending a lot of money, you’ll be showing your art to likely thousands of people and network with other people that otherwise you would never know. Here are some tips for making an art fair worth it:

  • Work on networking and building relationships inside and outside the university
  • Choose low-fee and local art fairs to show your work when you’re just starting out
  • Consider the number of pieces you’d have to sell to pay the fees back
  • Choose to have a part time job in order to have some cash
  • Make a strategic plane and follow it the maximum that you can
  • Make a website showcasing your work and if possible an online shop

If you liked this article check our previous post about art fairs.

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